Tuesday, December 08, 2015

Monday, August 05, 2013

Monday, July 30, 2012


I always loved reading Foucault for the alternative slant he gives you on things: you don't necessarily always agree with him--but he is always intellectually stimulating. In particular, I admire him for his anti-statist points of view. Big brother is watching: but most of us are not fully aware of just how great the surveillance is-- and Foucault, in this respect, can be an eye-opener.
I wasn't sure what I'd get from this late work: but the themes are much the same as elsewhere in Foucault. He is concerned with the way the state uses sex--or sexuality as he prefers it--to control bodies. He begins, contradictorily, by negatively critiquing the most prominent discourse on sex in the twentieth (and twenty-first) century: the state does NOT want to repress sex to consolidate its own power so as to stop emotional libertinism from getting out of hand and causing a rebellion. Rather (according to Foucault), the power of the state wishes to direct the multiple discourses on sex in order to control its power. Repression would be too simplistic a tactic. Foucault moves into uncharted territory as he begins to make his essential argument that since the Enlightenment, the great confinement and emphasis on a sterile medicalization of discourse, the state has had to look at the big picture of what it wants when it comes to population, birth control, demographics, genetics, etc. Clearly, many of the most essential areas for state control are bound up with sexuality in one way or another. In these circumstances the state has found it expedient to medicalize the ever increasing number of discourses on sex. Therefore sexuality has become, essentially, discourse-based at the present time: more so than at any other point in history--and the ones who can control the discursive debates on sexuality will have the real power. Often, there is a hegemonic and Gramscian aspect to Foucauld's ideas, where the superstructure of a society begins to work in an independent and subliminal manner, unconscious of its adherence to state power structures. For example, though Foucauld doesn't say it directly, one conclusion to be drawn from the way the state may wish to regulate the sexual activities of its citizens could be to encourage gay people to "marry" (gay marriage) within the existing structures as this is better than having them "infect" the demographic equation, having biological kids, mentoring them with advice based on tolerance, anti-state ideas etc., which would destabilize the rules-based heterosexual production of compliant children. Perhaps Foucault felt this quite deeply as a gay writer himself--or as a writer who happened to be gay. According to Foucault, the state surrounds us with so many discourses about sexuality because this is something hidden that must be made known for the state to manifest full control. Keeping an individual and silent space for sexuality would be to escape the power of the state as it would no longer know what its citizens were doing in this potentially explosive area. Therefore, the state prefers to have all the fantasies and compulsions out in the open where the medical industry can classify it into "appropriate" and "abnormal" behavior. In a sense, secret discourses about sex is what the state fears most as its control would no longer be guaranteed over people as individual agents took responsibility for their own lives and went off in different moral directions. For the state, it is essential that "sexuality" remains monolithic even though the discourses about it must constantly multiply in order to keep things under control. According to Foucault, one concomitant of this is that the state encourages us to define our essential nature in terms of our sexuality--a way of submitting one's essential bodily reality to the supervision of the state. In a society regulated by psychiatrists and psychotherapists who are (hegemonically) encouraged to convince us that all aspects of our lives and nature are founded on sexual impulses, there can be no escape for the tormented, individual psyche which, when it tries to revolt, is quickly brought back into the sheep pen by whichever discourse on sex can best indicate the subliminal sexual impotence of the subject. Foucauld makes it clear that beyond the needs of this bio-power of sex, there is no independent logic or reason for people to define their essential natures in terms of sexuality; no more than there would be for them to define it in terms of musical taste or personal diet preferences. In a more neutral place, our sexuality would just be one aspect of who we are: but the modern "bio-state" wishes to convince us that everything we do, everything we are, can be traced back to our sexuality--as this is the most effective way of controlling large numbers of regulated bodies.
Volume 1 was an exciting trip. I fancy vols. 2 and 3 might be a little slower, with their emphasis on the uses of pleasure in classical antiquity.

Saturday, July 07, 2012


I've been watching a lot of films and reading numerous books about the Nazi conduct of WW2. Sometimes, it is underestimated just how close Hitler and the Nazis came to establishing their 1000 year Reich--and also how the strategic importance of Britain played a major part in Nazi planning (and also in their eventual defeat). After Hitler had conquered continental Europe, only Britain stood in his way. But what to do next? Britain was a major rival that wasn't going to roll over easily, separated as it was from the continent by 22 miles of water. The Nazis might have come up with some plan to try and take the British airfields by the use of paratroops, but it would have been very risky and likely to fail. The British naval superiority was less important as in the narrow channel, the RN ships would have been sitting ducks for the Luftwaffe that was protecting the invasion force. It was, however, necessary for the RAF to be destroyed before any invasion was attempted--and, crucially, Hitler's forces were unable to do this. Almost certainly, if the early waves of Luftwaffe attacks had been successful in their aim of destroying the RAF, invasion and inevitable defeat would have followed. This would have had crucial long term results. Hitler could have concentrated on his war with Russia without worrying about the opening up of a second front in the West or any effective participation by the US in the war. The USA forces were able to threaten the Nazis only through the use of Britain as a kind of static aircraft carrier on which they could build up all their resources for an invasion of France. If Britain had already fallen when the Americans came into the war, how could they have conducted hostilities so far from home? An invasion fleet from America itself was most unlikely--as unlikely as a direct German invasion of the US.

The second factor was the USSR. Ideology and Hitler's hatred was the main cause of the war with Russia--but the specific timing of the attack, in June 1941, was due to Hitler's failure to conquer Britain. If he could smash the USSR in just a few months, as most military analysts of the time believed he could do, Britain's hopes of aid coming from the east would be shattered. The Nazi plan was to confront Britain with a Europe that had been totally subjugated to Hitler's will. With everything settled with Russia, the Nazis would have been able to face the Anglo Saxon enemy from a position of strength. Britain would have been smashed whatever the cost and then the Nazis could have joined their Japanese ally in an attack on the US via Eastern Russia. For the first time in US history, there would definitely have been a foreign invader fighting on American soil--and the US, make no mistake about it, would have been fighting for its very existence.

To sum up, Hitler's failure to conquer Britain resulted in the catastrophic invasion of the Soviet Union and opened up the possibility of an eventual US attack on continental Europe, through the use of the UK as a storage base and launching site for invasion. It was a close run thing and if the RAF had failed to hold off the Germans in 1940, the war might have turned out completely differently. Even if the Germans had still been unable to defeat the Soviet Union, possibilities for a stale mate would have been significantly increased without the opening up of a second front in the West. Of course, some analysts would say that Hitler's forces were sure to have been defeated in the east, eventually, even without the opening up of a second front: but that is an imponderable we cannot be sure about. It may be true--but we can't be certain that things would have turned out that way.

Monday, February 13, 2012

You've just got to love John Barnes! On Talksport he really took apart all the holier-than-thou, faceless and politically correct "journos" who have simply jumped on the bandwagon of the Luis Suarez affair. Barnes--a great player for Liverpool and someone who often had to deal with racist chants throughout his career--correctly made the point that legislation will never lead to a society free of racism. As he points out, there is legislation against theft, but there are still people who steal: that's not to say some legislation is not required, but the main emphasis has to be on education. Barnes states that he's not interested in punishment, but wants to change the mind set of people in society--and simply legislating will never do that.

It's pathetic really how politically correct the U.K. has become while being empty--at least as regards the press and bureaucracy--of any true respect and compassion for those who suffer.


Saturday, September 17, 2011


It's clear that most reviews are written by enthusiasts: that's why most product reviews are so high. Naturally, there is also the odd reviewer who really hates a book or movie and is determined to have his opinion heard. However, the vast, silent majority are mostly indifferent to almost everything. In any case, the point of this rather abstract introduction is that I fall into none of these three categories: I'm a movie lover who was disappointed by this "classic" of the forties. I had seen it before, but many years ago when I was a kid.

I admit that for its time it was ground-breaking. Hollywood didn't usually treat of alcoholism in any serious way and here we get benders, DTs, alcoholic hospitals, moral degradation and a lot more. Yet somehow--and I suppose we should expect this--the movie never quite loses its Hollywood sheen. Ray Milland is good enough in the leading role, but given Hollywood's propensity for gifting the acting oscar to anyone who is given an overacting opportunity, the oscar award doesn't say a lot. Everyone does a competent job, but the real problem is in the screenplay. Milland is an alcoholic who has never had a job, but wants to become a writer. It is assumed from the beginning that somewhere deep inside Birnam there is a real and talented writer struggling to emerge: but what is the proof? A few student articles and an early piece in Reader's Digest. Other than that, there is zilch. Lots of people want to write--but unless you write you're not a writer. Perhaps it would have been unendurable at the time to admit that most alcoholics don't have any special skill waiting to emerge: they are simply alcoholics. The Hollywood schmaltz element is further highlighted when Jane Wyman, a worker on Time magazine and the possessor of a perfect Hollywood wardrobe, decides to fall in love with our alcoholic nobody who--for reasons of Hollywood etiquette--must have the makings of a 'somebody' inside him. This might actually have done harm to the real alcoholics' cause, as one of the worst aspects of the disease is that the sufferer becomes a social pariah: the idea of an unemployed alcoholic winning the love of a high class lady from Time magazine and keeping it through all his degradations is pure Hollywood hoo-ha. Even the end of the movie rings false with Milland giving up drink and beginning on his infamous novel, "The Bottle", once again. This is supposed to be a happy ending--but the odds are that its just one more false dawn before the drinking starts again.

I'm sorry to be so negative, but this movie after deciding to deal with an important issue of this kind refuses to face the real horrors head on and, instead, is determined to wrap them up in several layers of Hollywood hokum.

Friday, June 10, 2011

Well, I've been watching a lot of Orson Welles' films lately. Citizen Kane might be an acquired taste and The Magnificent Ambersons something of a kitchen sink drama, but the old man definitely had something about him. Chimes At Midnight, A Touch of Evil and the Third Man (which he never directed) are undoubtedly touched with genius. All those strange camera angles are initially disconcerting but, eventually, fascinating and futuristic in style. The Lady From Shanghai is merely a B movie based on a pulp novel--yet the finale in the hall of mirrors makes for some amazing cinematography.

Journey into Fear is a run-of-the-mill movie with Dolores Del Rio's leopard woman as perhaps its most memorable feature. I was amazed to discover that Del Rio was already 36 at the time of this film. She really does have one of the most beautiful faces that I've ever seen (it seems that she and the old man had a 3 year affair--lucky old Orson!)